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Thursday, July 23, 2009

Celebrating shankarabharaNam - 1 - E teeruga nanu


Song : E teeruga
Composer / Lyricist : Bhadrachala Ramadas
Originally sung by : Vani Jeyaram
Orignally Arranged By : K. V. Mahadevan
Movie : shankaraBharaNam


Singers: Meera Manohar, Murali Venkatraman
Karaoke/ Arrangement : Murali Venkatraman
Mixing : Meera Manohar




Celebrating ShankarabharaNam - 1 - E teeruga - With Meera Manohar




Sabhaku Namaskaaram.


It may not be wrong to call the movie shankarabharaNam as the crowning jewel among the works of composer Shri K. V. Mahadevan. It was a movie that simply established that in the midst of light music, one could really be left captivated by classical music if presented appropriately with a good story-line (by director K Vishwanath) . Although KVM had worked magic all through his telugu and tamil movies (e.g SwatikiraNam, thiruviLaiyaadal ), he made a remarkable choice of a singer in this movie. In all his earlier movies, he went for singers who were either partially trained (Susheela) or at the level of vidwan (Ghantasala, T. M. Soundararajan). In this movie, he picked S. P . Balasubramaniyam (who calls him that ? It is either SPB, SP or Balu) who was completely untrained and established that a committed effort to train him would provide rich dividends. SPB just grew from strength to strength and was associated with so many other films where he breezed through many classical and semi-classical compositions and both telugu and tamil music were never the same.

Science and Art cross barriers. An obscure researcher working quietly in a remote place like port of Madras, was recognized by the great mathematician Hardy only to unveil the genius that was Ramanujan. Ramanujan knew nothing but math. But Hardy ensured that his work was recognized beyond doubt. Similarly for our country that has had many regional problems because of languages, music has often provided the much needed fabric of harmony. How would one explain KVM and SPB's success then ? SPB - a native telugu speaker - is loved by tamils all over and KVM - a tamilian- whose reputation as a composer in Telugu is unmistakable. Other greats like MSV, IR, Susheela, Janaki, Chitra, and Yesudas and now Rehman have similar reputations. The beauty of Telugu seems to be locked in the fact that it is heavily derived from sanskrit but slanted in a delivery which is southern. In a way it ideally represents a good blend of the North and South Indian elements in sync. Malayalam is another language which has a similar blend although it is softer on most syllables than Telugu.

In an effort to recall and celebrate 30 years since the release of the movie, I team up with my friends ( Meera, Narayanan, Vidya, Adithi and may be some more) to re-do some of the songs in the movie as a tribute. Some songs will be rendered as they were in the movie and some with slight modifications in arrangements. Some of us are not native telugu speakers but have sincerely tried for dictional accuracy by consulting with telugu speaking friends. Despite our best efforts, if there be errors we sincerely apologize.

The first song in this series is "E teeruga nanu" - a classical composition of Bhadrachala Ramadas who may be called the telugu equivalent of Manikkavaasagar. Both were state-servants who out of their devotion towards their deities,, used up the state money for charity and religious causes. Both were great poets and singers and have left a wealth of literature for us to indulge. This song appeared in a truncated form in the movie. Hence when I created the Karaoke track, I took the liberty of expanding the song to include the last paragraph of the original. In the movie, the song was delivered by the inimitable Vani Jeyaram. In here, we present this as a duet with some extra (hopefully) un-infringing phrases. I find that the raga of the song is either Nadanamakriya or Mayamalawagowla. I am not very sure about the differences between these two. The lyrics of the song were obtained from :

http://www.engr.mun.ca/~adluri/telugu/classical/musical/rit/ramadasu.html

They are provided here for your reference:

E teeruga nanu daya jUcedavO ina vaMSOttama rAmA
nA taramA Bhava sAgara meedanu naLinadaLEkshaNa rAmA |E teeruga...|

Sree raghu naMdana seetA ramaNA Sritajana pOShaka rAmA
kAruNyAlaya Bhakta varada ninu kan&nadi kAnupu rAmA |E teeruga...|

krUra karmamulu nEraka cEsiti nEramuleMcaku rAmA
dAridryamu parihAramu sEyave daiva SikhAmaNi rAmA |E teeruga...|

vAsavanuta rAmadAsa pOShaka vaMdanamayOdhya rAmA
dAsArcita mAkaBhayamosaMgave dASarathee raghu rAmA |E teeruga...|

Please let us know how you feel about this song and also about the rest of the series to come.

Friday, July 10, 2009

My interview at Musicblogsindia

Jo is conducting a series of interviews about the blogger-musicians. My interview is here:

http://musicblogsindia.com/2009/07/interview-murali-venkatraman
/

Monday, June 29, 2009

Mothers Choice 1: Aandholanam - With Rashmi Nair

Song : Aandholanam
Composer : Bombay Ravi
Lyrics : Yousuf Ali Kachery
Singers : K.J.Yesudas, K.S. Chithra
Movie : Sargam

Performed by :
Murali Venkatraman, Rashmi Nair
Mixed by : George Kuruvilla

It was year 2001 I believe. I got a chance to sing in Tyagaraja Utsavam of Charlotte. I sang Samajavara gamana which I managed to learn from a stalwart's recording. The Charlotte community was extremely warm and embraced me in spite of me not having had a formal . They instilled in me a sense of confidence that I could sing bit of classical (and also compose a bit). One among those who became one of my best friends for life was Ramanan Moorthy.

Ramanan and I had similar music interests (not same) and it was easy to strike a conversation with him. He had a modest 2 bedroom flat (which luxury hotels could envy for its cleanliness and organization) and a small Yamaha keyboard with a music system and PC connected to it. We slowly learned basic voice recording using goldwave in the PC and were very happy to try out different things in the jam sessions which would last till 3:30 AM. Of course some nutrition supplements and 'health' drinks would help our singing cause.

Together we sang songs o f countless varieties through out the night. He introduced me to the world of Urdu. Earlier to him, I had heard ghazals but never paused to understand them. And I used to dismiss urdu as sounding bombastic and too high flown. In fact jokingly I remember a friend remarking that Urdu sounds like somebody burped as they talked (In fact he used a more 'southern' adjective). Even then I had only reluctantly agreed to understand urdu. (The real transformation of being able to appreciate urdu and develop a love towards it came a bit later, which I shall elaborate in a later post).

Bottom line is: mallu, hindi, urdu, tamil and bangla songs - formed our discussion. Ajay chakraborty, Lata Mangeshkar, Yesudas, SPB, Jagjit, ghulam Ali, Hariharan and other greats paid a vicarious visit to our mehfil in the form of their songs. But in person, he was visited by his endearing Mom for quite a good length of time and I had the pleasure of listening to her sitar and also vocals. In one of the Jam sessions that ensued, his mom and I sang andholanam dholanam - the song which seems to have been composed to ensure that melody would drip like honey would from an overflowing comb - and it was a memorable experience.

My mom is visiting me here in Melbourne and at her insistence I am singing a series of malayalam songs off which personally this is my biggest favorite (my yahoo id is andholanam). when I decided to sing this, one voice that came to my mind was Rashmi Nair's. Check her rendition out yourself. To me it sounded like a perfect combination of bhavam, swaram, layam, gamakam and sangathi (especially in the aalaap that find its place in the second charanam).